Over the past decade, my practice has been grounded in material exploration, driven by a sustained fascination with the tactile and transformative potential of various media. Central to this inquiry is the distinctive process I’ve developed using vinyl mesh screen as both a printing and an installation medium. By re-contextualizing this utilitarian material, I investigate the dynamic interplay between texture, image, form, and spatial perception. This approach reflects my broader artistic philosophy: merging established methods and techniques with an ethos of experimentation.

The following section presents examples of this technique, where printed imagery on semi-transparent mesh becomes both visual content and spatial intervention—images to be looked at, walked through, and experienced physically. These works obscure and reveal the surrounding environment, inviting viewers into layered spaces of shifting valences with a quiet sense of wonder